Introduced to the piano by his concert pianist mother, Moscow-born Alexander Braginsky began studying the piano at the age of four. His first teacher, Alexander Goldenweiser, a classmate of Rachmaninoff and Scriabin, introduced Braginsky to the nineteenth-century Romantic tradition. After Goldenweiser’s death, he continued to study with Theodore Gutman, another illustrious representative of the “Golden Age” of Russian piano school.
Alexander Braginsky (Chair) / United States
Offering his audiences a repertoire that extends from Baroque to avant-garde, Braginsky has performed more than 20 world premieres, most of which were commissioned and written for him. Braginsky has performed extensively in the USSR, Israel, England, Belgium, Italy, Germany, Taiwan, People’s Republic of China, Spain, Cuba, France, and the United States. He also appeared on stage in collaboration with the variety of renowned artists including Yefim Bronfman and Oleg Kagan. Alexander Braginsky and his wife, cellist Tanya Remenikova, were the first artists-in-residence appointed by Churchill College, Cambridge, in 1981.
A professor on the faculty of the International Music Summer Course in Vienna, Austria from 1995 to 2006, Braginsky regularly gives numerous master classes around the world, including International Keyboard Institute at Mannes College and Beijing International Music Festival.
Braginsky has recorded for DDF, Sound StarTone, and d’Note labels. He has appeared repeatedly on BBC, National Public Radio, RTB-BRT, and other radio stations throughout the world. In 2003 in Vienna he was awarded the Josef Dichler Gold Medal for outstanding achievement. Today, Braginsky teaches at the University of Minnesota School of Music. Braginsky is the Founding President and the Artistic Director of the International Piano-e-Competition.
Hui-qiao Bao is one of the most well-known pianists in China. She was the piano soloist with the China Symphony Orchestra from 1970 until her retirement.
While at the Central Conservatory of Music in Beijing, she studied with Prof. Zhu Gong-yi and Prof. Tatiana Petrovna Kravchenko, who was the Vice-President of the Leningrad Conservatory of Music. She won numerous prizes both nationally and internationally, including the 1st Prize for Chinese Works Competition in 1960, 5th Prize in the George Enescu International Piano Competition in 1961 (Romania), 1st Prize in both the Selective Competition of China in 1964 and the Selective Chopin Competition in China in 1965, Best Performance Prize in the 4th National Competition for Music Compositions in 1985, and “The Golden CD Prize” issued by the China Recording Company in 1992.
Hui-qiao Bao / P. R. China
In addition to her frequent concert tours all over China, she has also performed to high acclaim in many countries, including Austria, Philippines, Singapore, Romania, and Turkey.
Professor Bao has been a juror for many piano competitions in China as well as the Dr. Louis Sigall International Piano Competition in Chile (1987), Arthur Rubinstein International Piano Master Competition in Israel (1989), Bucharest Music Festival in Rumania (2004), Jaen International Piano Competition in Spain (2007), the 11th UNISA International Piano Competition in South Africa (2008), the Twelfth Taipei International Chopin Competition in Taiwan (2008), the Fourth Tbilisi International Piano Competition in Georgia (2009), the Seventh Seoul International Music Competition in South Korea (2011), Premio de Piano Frechilla-Zuloaga in Spain (2011), The Leeds International Piano Competition in England (2012), the Isangyun Competition in South Korea (2013), and the Gina Bachauer International Piano Competition (2014).
She has served as a visiting professor of the Central Conservatory of Music, and many of her students have won prizes in international piano competitions. Since 2007, Professor Bao has been Chairman of the China International Piano Competition.
A multi-talented artist, Prof. Bao is also the author of the book “Interviewing Other Famous Pianists throughout the World”. She is the editor of the “New Way of Learning Piano” education series and has published a number of CDs.
Dr. Kim made his debut with the Calgary Philharmonic Orchestra at age 15. He holds a bachelor of music with distinction in piano performance from the University of Calgary, and both a master of music and a doctor of musical arts in piano performance from The Juilliard School, where he studied under Herbert Stessin.
An accomplished recitalist and chamber musician, Dr. Kim has appeared as a concerto soloist with symphonies all over the world, from the Boston Pops to the Royal Scottish National Orchestra. As a recitalist he has performed in cities throughout Canada, the United States, United Kingdom, South America, and Asia, and has been a featured artist at nine summer festivals.
Dr. Kim is also a veteran academic administrator with a strong record of success in student recruitment, fundraising, and community engagement. He comes to the University of Minnesota from Manitoba, Canada, where he has served as dean and professor at the Brandon University School of Music since 2008, and acting associate vice-president (external) since 2014. Prior to that he was chair of the keyboard department and faculty associate to the president at Lawrence University in Wisconsin.
Dubbed "a major artist" by the Miami Herald and a "quiet maverick" by the Daily Telegraph, pianist Alexander Korsantia has been praised for the "clarity of his technique, richly varied tone and dynamic phrasing" (Baltimore Sun), and a "piano technique where difficulties simply do not exist" (Calgary Sun). The Boston Globe found his interpretation of Pictures of an Exhibition to be "a performance that could annihilate all others one has heard." And the Birmingham Post gushed that "his intensely responsive reading was shot through with a vein of constant fantasy, whether musing or mercurial." Ever since winning the First Prize and Gold Medal of the Artur Rubinstein Piano Master Competition and the First Prize at the Sidney International Piano Competition, Korsantia’s career has taken him to many of the world’s major concert halls, collaborating with renowned conductors such as Christoph Eschenbach, Gianandrea Noseda, Valeri Gergiev and Paavo Jarvi and orchestras as the Chicago Symphony, Kirov Orchestra, City of Birmingham Symphony and Israel Philharmonic.
Alexander Korsantia / Georgia and U. S. A.
Recent and coming seasons bring him to the Cincinnati Symphony, Edmonton, Huntsville, Pacific, Louisville, Bogota, San Juan, Jerusalem, City of Birmingham, Oregon, Vancouver, Omaha, Elgin, Mannheim and Israel Symphony orchestras; Tokyo, Louisiana, Oslo, Malaga and Israel Philharmonic orchestras; Georgian Sinfonietta, Ingolstadt and Israel Chamber Orchestra, Gerusalem Camerata, Orchestre National du Capitole de Toulouse, RAI Orchestra in Turin, Polish Radio Orchestra, Orquesta Sinfonica Nacional in Mexico City among many others. He can be heard at Piano Jacobins concert series in Toulouse, Warsaw, Boston, Tel Aviv, Jerusalem, Vancouver, Calgary, San Francisco, Lodz, White Nights Festival in St. Petersburg, Tanglewood, Newport, Stresa, Gilmore, Verbier festivals and music series performing solo recitals and collaborating with musicians such as Yuri Bashmet, Vadim Repin and Sergei Nakoriakov among others. Bel Air Music and Piano Classics are among the recording labels Mr. Korsantia has worked with. The most recent release includes a collection of piano variations by Beethoven (Eroica), Rachmaninoff (Chopin) and Copland.
Born in Tbilisi, Georgia, Alexander Korsantia began his musical studies at an early age with his mother, Sventlana Korsantia and later became a pupil of Tengiz Amiredjibi, Georgia’s foremost piano instructor. In 1992, he moved his family to the United States and joined the famed piano studio of fellow Georgian, Alexander Toradze, at Indiana University in South Bend. In 1999, he was awarded one of the most prestigious national awards, the Order of Honor, bestowed on him by then-President Eduard Shevardnadze. Korsantia resides in Boston where he is a Professor of Piano on the faculty of the New England Conservatory. A veritable superstar in his country of birth, Mr. Korsantia is the artistic director of the annual music festival “From Easter to Ascension” in Georgia.
Born and raised in Foggia, Italy, Antonio Pompa-Baldi won the Cleveland International Piano Competition in 1999 and embarked on a career that continues to extend across five continents. A top prize winner at the 1998 Marguerite Long-Jacques Thibaud Competition of Paris, France, Antonio Pompa-Baldi also won a silver medal at the 2001 Van Cliburn International Piano Competition.
Antonio Pompa-Baldi / Italy/USA
Mr. Pompa-Baldi appears regularly at the world’s major concert venues including New York’s Carnegie Hall, Paris’ Salle Pleyel, Milan’s Sala Verdi, Shanghai’s Grand Theatre, and Boston’s Symphony Hall. He performed in London, Tokyo, Seoul, Los Angeles, Philadelphia, Kiev, Auckland, Hong Kong, and Beijing, where he played a recital in the Forbidden City Concert Hall and conducted Master Classes at the China National Conservatory, being named Honorary Guest Professor of that institution. Pompa-Baldi has played with the Houston Symphony, Berliner Symphoniker, Orchestre Philharmonique de Radio France, Boston Pops, and Colorado Symphony, among many others. He has collaborated with great musicians and conductors such as Hans Graf, James Conlon, Louis Lane, Keith Lockhart, and Miguel Harth-Bedoya.
His extensive recording catalogue features 20 CDs and is constantly growing. Among his recordings, the entire piano repertoire of Grieg for Centaur Records in twelve CDs, a live recital of his award-winning Cliburn Competition performances on Harmonia Mundi, and “The Rascal and the Sparrow-Poulenc meets Piaf”, piano arrangements of songs by Francis Poulenc and Edith Piaf on the Steinway Label. His CD, “After a reading of Liszt”, is a tribute to Liszt recorded live in recital at the Stellenbosch Conservatory, and released by the South African label TwoPianists. For Centaur Records, he has also recorded an all-Schumann disc, an all-Rachmaninoff CD, as well as the Rheinberger Piano Sonatas. Pompa-Baldi is now recording the complete Hummel Piano Sonatas. The first two volumes are already available, with a third scheduled to be released in the near future.
Mr. Pompa-Baldi is on the piano faculty of the Cleveland Institute of Music. He is the founder, artistic director and faculty member of Todi International Music Masters, a summer Festival in Todi, Italy, which attracts talented piano students from all over the world. Pompa-Baldi sits on the juries of the most prestigious piano competitions, including the Cleveland International Piano Competition, the Hilton Head Piano Competition, the International Edvard Grieg Piano Competition in Bergen, Norway, and the San Jose International Piano Competition.
For more information, please visit www.pompa-baldi.com You can also like Antonio Pompa-Baldi’s Facebook page to interact with him: http://www.facebook.com/PompaBaldiPiano
For the Todi International Music Masters Festival, visit www.todimusicmasters.com and the festival’s Facebook page: www.facebook.com/todimusicmasters
Consistently acclaimed for his exquisite tonal beauty and superb artistry, Boris Slutsky emerged on the international music scene when he captured the First Prize—along with every major prize, including the Audience Prize and Wilhelm Backhaus Award—at the 1981 William Kapell International (University of Maryland) Piano Competition. His other accomplishments include first prizes at the Kosciuszko Chopin Competition and San Antonio International Keyboard Competition, and major prizes at the International Bach Competition in Memory of Glenn Gould, Busoni, Rina Sala Gallo, and Ettore Pozzoli International Piano Competitions.
Boris Slutsky / United States
Since his orchestral debut at Carnegie Hall with the New York Youth Symphony in 1980, Mr. Slutsky has appeared on nearly every continent as soloist and recitalist, collaborating with such eminent conductors as Dimitri Kitaenko and Valery Gergiev. He has performed with the London Philharmonic, Stuttgart State Orchestra and Deutsche Kammerphilharmonie Neuss am Rhein in Germany, Bem Symphony Orchestra in Switzerland, Bergen Philharmonic in Norway, RAI Orchestra in Milan, KBS Symphony Orchestra in Korea, and major orchestras in Spain, Russia, Columbia, and Brazil. In South Africa, he has been soloist with the orchestras of Cape Town, Durban, and Johannesburg. His North American engagements have included concerts with the Baltimore, Florida, Utah, and Toronto Symphonies.
Mr. Slutsky has been heard on recital series throughout the United States, Canada, Europe, Latin America, and the Far East, making appearances at the Kennedy Center for the Performing Arts, the Kaufmann Concert Hall, Bunka Kaikan in Tokyo, National Concert Hall in Taipei, Performing Arts Center in Seoul, and Teatro Colon in Bogota, among many others. An avid chamber musician, Mr. Slutsky's more than two decades of chamber music collaborations include the critically acclaimed recording of Schumann's Sonatas for Violin and Piano with Ilya Kaler on the Naxos label, as well as performances with many renowned artists.
Mr. Slutsky has presented master classes throughout North America, Europe, and Asia, and served as a jury member for many international piano competitions.
Born in Moscow into a family of musicians, Mr. Slutsky received his early training at Moscow's Gnessin School for Gifted Children as a student of Anna Kantor, and completed his formal studies at the Juilliard School and Manhattan School of Music, studying with Nadia Reisenberg, Nina Svetlanova, John Browning, and Joseph Seiger. In addition, he has worked for many years with his mentor Alexander Eydleman.
In 1993, Mr. Slutsky joined the faculty of the Peabody Conservatory, where he currently serves as chair of the Piano Department.
Russian born Eduard Zilberkant is recognized as one of today's most gifted artists and has an active career as pianist and conductor. Maestro Zilberkant has been received enthusiastically by audiences and press alike throughout Europe, Canada and the United States, performing in such concert halls as The Academy of Music in Philadelphia, Curtis Hall at the Curtis Institute of Music, Artur Rubinstein Hall and Warsaw Philharmonic Hall in Poland, Teatro Sangiorgi in Catania, Sicily, Volgograd Opera House in Russia and Alaska Center for the Performing Arts in Anchorage.
He is a returning guest artist at the International Keyboard Institute and Festival in New York City, and has been a guest artist and conductor at some of the world's most prestigious music festivals which include the Ravello Festival in Italy, the Corfu Festival Ionian Concert Series in Greece, the Manolis Kalomiris International Music Festival in Samos, Greece, the Assisi International Festival and Orazio Frugoni Music Institute in Italy, the Baracasa Festival of Radio France in Montpellier, France, and Bellingham Music Festival in Washington.
This year is Maestro Zilberkant’s 12th season as music director and conductor of the Fairbanks Symphony Orchestra and Arctic Chamber Orchestra. Under his leadership, these orchestras have toured in Alaska, Canada, the continental United States, and Europe.
Maestro Zilberkant is a sought after guest conductor. He has conducted the Czech National Symphony Orchestra in Prague and on tour to Germany, the orchestra of Pomeriggi Musicali di Milano in Italy, the Martinu Chamber Orchestra in the Czech Republic and Germany, the Orchestra of the Teatro Massimo Bellini in Catania, Sicily, the Manhattan Chamber Orchestra in New York City, the Teatro di San Carlo Orchestra, Naples Italy, and the Prague Philharmonic on tour to the Ravello Festival in Italy.
The German newspaper, Schwabisches Tagblatt wrote of his performance of the Dvorak's "New World Symphony", "[Maestro Zilberkant] made an impression for feeling the nuances of the tempo, pauses, and accents...he brought out new colors and romantic feeling with full balance of the sound from the orchestra." After his performance of the Mozart Symphony No. 41 with the Arctic Chamber Orchestra in Anchorage, Alaska, the Anchorage Daily News wrote: "[Maestro Zilberkant] brought admirable intelligence to his reading of the piece...and sculpting the individual lines into a monumental and heroic structure; his weaving of the finale's awesome counterpoint show him to be a musician of significance whom we hope to hear again."
A Fulbright Scholar in Germany, Eduard Zilberkant received a Solisten Diploma from the Freiburg Musik Hochschule. He received the Doctor of Musical Arts degree from Temple University in Philadelphia. Maestro Zilberkant is Artist in Residence, and Chair of the Music Department at the University of Alaska Fairbanks.